Now out from Otoliths — "peut-être le Messie" by Márton Koppány

Now out from Otoliths.

Márton Koppány
"peut-être le Messie"
full color
56 pages
ISBN: 978-0-6455483-4-1
$US26.75
URL: https://www.lulu.com/shop/m%C3%A1rton-kopp%C3%A1ny/peut-%C3%AAtre-le-messie/paperback/product-rmvdnmm.html?page=1&pageSize=4

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Márton Koppány notes in his introduction: "Lately I've been playing with putting together pieces from distant periods. Some recurring topics are: question marks, clouds, ellipses. They overlap, but ellipses outnumber everything else. Any triad can be considered an ellipsis, and occasionally different (or seemingly different) numbers like 1, 2 and 4 serve the same idea even better, because they are elliptical only elliptically."

His ellipses take many forms — buttons, stones, letters, fish, et al — though I profess my favorite among his ellipses is actually invisible.

I am writing this in a room which used to be a verandah until, before our time here, a cyclone blew the wooden louvers & their surrounds in — out? — & that once open space has since been replaced by windows & fiberboard — three windows, three pieces of fiberboard. Perched at the intersection of the dado rail that runs along two of the walls of the room, there is a signed postcard-sized print of a singular piece of vispo, a lounge chair with only one leg but still remaining perfectly upright.

It is called Ellipsis No. 5, & is, coincidentally, the first piece in "peut-être le Messie." "Perhaps the Messiah" is a wide-ranging title, an ellipsis incorporating the millennia between the canonical gospel of St. Luke & the work of Isidore Isou, a Romanian-born French poet, founder of Lettrisme, author of L'Agrégation d'un nom et d'un messie.

Márton Koppány's book is also wide-ranging — perhaps not temporally, but rather attitudinally. I have previously remarked on the ". . . humor, minimalism, satire, genius, art, politics, its multi-faceted et ceteras" of Koppány's work. This selection of his ellipses evidences every one of those individual characteristics as well as the incredible gestalt when they are combined.

   —   Mark Young