hopefully in the not too distant future, I’ll get around to starting an Otoliths Books blog. In the interim, some recent reviews & such.
Geof Huth stratifies Spencer Selby’s Flush Contour at dbqp: visualizing poetics.
Thomas Fink at critiphoria & John M. Bennett at Mad Hatter’s Review look at Sheila E. Murphy’s The Case of the Lost Objective (Case).
Sam Trimble at Philadephia citypapernet & Jesse Jarnot at paste (jpeg of the article here) talk to Paul Siegell about Poemergency Room.
Jack Kimball follows up on Rochelle Ratner’s Leads at Pantaloons (post date 2/21/08).
Sunday, March 30, 2008
Friday, March 28, 2008
Genji Monogatari XIV: A Boat upon the Waters
The camera is a kind of
surrogate supervisor, colon-
izing bare stones from
beneath the water surface
& then rough tumbling them
to remove the matrix—truth
values, brandname medication,
YouTube videos of girls fighting
in suburban schoolyards. It is
a repository of spatial memory
where everything retains
its own personal space, their
heavy burdens & polemical
charges. There is a small picture
of Genji sitting on a massive
flower under a crescent moon.
surrogate supervisor, colon-
izing bare stones from
beneath the water surface
& then rough tumbling them
to remove the matrix—truth
values, brandname medication,
YouTube videos of girls fighting
in suburban schoolyards. It is
a repository of spatial memory
where everything retains
its own personal space, their
heavy burdens & polemical
charges. There is a small picture
of Genji sitting on a massive
flower under a crescent moon.
Thursday, March 27, 2008
ambi-dexter-valentino
As the speechtrack to a cable series about a serial killer serial killer — or should that be serial serial killer killer? — creeps down the staircase from the living room, I’m reminded of the “morality” prevalent, thanks to the Hays code, in the Hollywood movies I grew up on, in which “evil” could never be portrayed in a “good” light & nobody could ever benefit from a crime. I have no memory of the name, or who was in it, but I do remember seeing a movie — fifties? sixties? maybe even the seventies — that, possibly for the first time, shifted away from this premise. Not too far, mind you. Sure the main characters got away with a million dollars, but they would have got, had they stayed around, a million dollars through legitimate means.
Tuesday, March 25, 2008
Tuxedo inJunction
The only time I have ever worn a tux was fifty years ago when I played at a New Year’s Eve Ball for the local Polish community. We didn’t play a polka all evening — they had a separate band for that — but there were 57 varieties of potato salad for supper.
Sunday, March 23, 2008
Saturday, March 22, 2008
Let me admit
to using digital time as a kind of mini-omen. 12- or 24-hour displays, around the house, in the car, occasionally in the wider world. Something comforting about them. Equal—12:12; sequential—10:11; the year—20:08; the day, the month—22:03; pi—3:14. A small warm buzz. No downside to them. Something else & they’re just the time.
Friday, March 21, 2008
Do pubescents dream of electric sheep?
What, early on, shapes our beliefs? Why, contra parental values, prevailing current opinion & a reasonably straightforward upbringing, should I have believed that left-wing politics—socialism, if you like—was the greater respecter of human values, that capital punishment, nuclear capability, totalitarianism, armed conflict were wrong. No-one I knew shared these values, certainly not my parents. There was no television, the most radical films I’d seen were Charlie Chaplin’s The Great Dictator & Modern Times, DC comics hadn’t reached New Zealand, there were no alternative newspapers, TIME told us it told the truth, rock ‘n roll hadn’t beaten a path to my door, wasn’t even beating yet.
What I got from my parents was a love of reading. What I got from my brother, twelve or so years older & away from home, was the collection of science fiction that he’d left behind. What I got from that were alternative views of the world, supposedly the future but written from the perspective of the present.
There was a dichotomy of perspective. The fascism of people like Robert Heinlein; the socialism of writers like Philip K. Dick, Fritz Leiber, C.M. Kornbluth & Theodore Sturgeon. The political tags came later, when my reading widened & I recognized them for what they were. The preferred beliefs stuck with me immediately.
What I got from my parents was a love of reading. What I got from my brother, twelve or so years older & away from home, was the collection of science fiction that he’d left behind. What I got from that were alternative views of the world, supposedly the future but written from the perspective of the present.
There was a dichotomy of perspective. The fascism of people like Robert Heinlein; the socialism of writers like Philip K. Dick, Fritz Leiber, C.M. Kornbluth & Theodore Sturgeon. The political tags came later, when my reading widened & I recognized them for what they were. The preferred beliefs stuck with me immediately.
Thursday, March 20, 2008
five years on / forty years on
Marking the fifth anniversary of the U.S.-led invasion with a touch of the swagger he showed early in the war, Bush said in a speech at the Pentagon, "The successes we are seeing in Iraq are undeniable."
She knows there's no success like failure
And that failure's no success at all.
— Bob Dylan: Love Minus Zero / No Limit
spam(na)ku
Do
I want
to fill her
mouth entirely with
my new
nine-
inch
pecker? Certainly
a talking point,
but how to
talk around
it?
Wednesday, March 19, 2008
Tuesday, March 18, 2008
Thursday, March 13, 2008
Tuesday, March 11, 2008
Subscribe to:
Posts (Atom)