The Discrete Charm of the Brandenbourgeoisie
Somewhere between the avuncular Trenet’s La Mer & Brel’s hyper-emotive Ne me quitte pas, I decided to pre-empt the two-faced Janus & end, rather than begin, the year with something that I have enjoyed in the past & will undoubtedly continue to enjoy in the future. A quick round-up of the usual suspects, a selection made. & so, below, Bach’s Brandenburg Concerto No. 3 in G major played by the Orchestra Mozart conducted by Claudio Abbado.
Lots of strings attached — three violins, three violas, three cellos, a contrabass &, as Denise Levertov wrote, “don’t forget the crablike / hands, slithering / among the keys.”